Thursday, April 05, 2007 - Posts

Painting the Canvas – The Act of Divination II

In my previous post I sketched out two perspectives of the performative act of divination, the spiritual perspective and the Jungian perspective, two rivers flowing in one riverbed.

I suggested that if we as diviners move beyond using the text and images in the Yijing as simply prescriptive, or as narrowly descriptive, then the imagery is able to circulate within us informing our deeper selves of the dynamics within us and of the time or moment around us. It can then conjoin our inner world with that of our outer world, or for some our inner world is brought into tune with the Dao or our divine purpose (Ming).
 
I would like to offer a metaphor for what occurs when we divine. The specific reading we obtain might be seen as a dynamic template which matches the ‘moment’. That ‘moment’ encompasses both our inner potentials and the outer world in which we live. When we contemplate this template we enter into a dynamic process of shifting around our potentials, and perceptions, to get a match with the template. We use the template to make a congruence between ourselves and the moment in which we find ourselves. We do this to the best of our ability and to our own satisfaction using whatever we, as individuals, have at our disposal in terms of potentials, perceptions and opportunities.

Seen like this divination is an act of creation, or recreation, of both ourselves and the world in which we live. It provides the canvas on which we paint.

In my next piece I will look at the way in which images need to circulate and the pathways which we can offer to them.

Kevin

Later note 10th Aug 2008 - Finally I have got back to this interesting area - Look at the Aug 2008 Divination posts for more.

Weaving the Canvas - The Act of Divination I

As diviners we generally develop a deep personal resonance with the Yijing. Our methods and perspectives become complex and closely intertwined with our psychological, or spiritual, beliefs and values. It is as if we settle into our own spot on the hillsides surrounding the ecologically rich valley called Yi. We all see the same things, but from the perspective of our different positions. So for me the sheep is in front of the tree and perhaps to you on the other side, it is behind it and of course you may be much more concerned with some other valley feature which for me is less interesting. What follows are the broad brushstrokes of two of the slopes where diviners might be found.

One perspective is that when we perform the act of divination we are making an opening across our liminal threshold into our fertile unconscious. Here we can experience the images moving around, resolving their dynamics until we perceive an understanding of the moment. This is often referred to as the ‘Jungian’ perspective of how the Yijing works. We enter that inner landscape rich with dynamic archetypal images which the moment of divination has illuminated through our imaginal apprehension of the images generated by the Yijing.

Another broad perspective is that of the spiritual or psychic belief set. Here the act of divination makes an opening through to the Yi spirit, the spirit of the ancestors, or to whatever other cosmological perspective works for us as individual diviners. For this group the ‘hand that writes on the wall’ gives us text references in the Yijing and through reading those texts we come to understand its message.

There is a group of diviners on both of these hillsides which are worth a brief mention here. For many of us the Yijing is a text rooted in a foreign culture with images and stories which relate to other places far away in distance and time. Understanding as much of that culture as we can gives us a better depth and appreciation of the words and their possible meanings. However pushing this to the point where we reduce a piece of text to a single meaning is as pointless as trying to reduce an image rich line of poetry to a single descriptive point. Such a reduction makes the Yijing oracle prescriptive with overly fixed sets of values and meanings, cognitive sets of ‘this is’ and ‘this is not’. I have to accept that this approach might suit those of us who prefer the security of setting ourselves into prescriptive projections which define our choices and paths more tightly. Freedom of choice and imagination can be unsettling and letting images circulate within our minds can leave us confused about what really is and what really is not.

It appears to me that the two broad approaches of the spiritual and the Jungian, are so closely parallel that the difference in appreciation and outcome is of little matter. One locates the knowing in the Spirit of the Yi flowing through the informative text into our spirit mind and then finally into our perceiving mind. This person might be seeking to keep their actions within the flow of the Dao, or be seeking to find the best paths through the potentials of the time. The other sites the knowing in our unconscious which is illuminated by the text and images of the Yijing. These are then appreciated by our imaginal mind before being grasped by our perceiving mind. This person might be seeking to work with their own potentials within the time or to find the path back to them through divination as an act of healing.

This is perhaps a case of two rivers with different sources flowing in the same river bed.

For me this is the canvas of divination. In my next piece I will sketch out a perspective of divination as a creative act.

Kevin